Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Fader Master Sound Studios Inc.

HI-RES

WHO WE ARE

More studio owners and engineers under one roof. 

We're part of Fader Mountain Sound Inc., and in one of the best studio facilities in Vancouver.

We believe in what we do as much as you believe in what you do.

It's simple and we love it, and we have a lot of machines that help us do it.


WHAT IT IS

It's a recording studio.

The Control room is where faders are pushed. The Live Room is where sounds are made.

Studio B is huge, studio C is perfect for overdubs. Both rooms give great sound.

Sit in the lounge, watch TV, play XBOX or Playstation, surf the web.

Walk up the street to one of the million restaurants or cafes on Cambie, Broadway or Main Street.

WHAT GOES ON

Anything and everything to do with sound.

It could be music, television, film or secret testing for the government.

All the Fader Masters want to make, capture or shape the sound you want.

WHAT YOU GET

What you came for. We make sure of it. We don't sleep, so the studio never sleeps....

We've been lucky enough to have so many great artists, labels and people come through our doors since 2007.

This is why our space has grown along with our client list since we opened.

Much love to everyone who's shaped their sounds with Fader Master.



 
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BINAURAL

Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.

RESONANCE

When a system with a natural vibrating FREQUENCY is stimulated by an outside force of the same frequency, the system can be set in a motion called VIBRATION. As the frequency of the stimulus closely approaches that of the system, OSCILLATION occurs, which reaches a maximum AMPLITUDE at the natural resonant frequency.

PITCH

The subjective impression of FREQUENCY, in the same sense that LOUDNESS is the subjective sense of the INTENSITY or AMPLITUDE of a sound. As such, pitch is a psychoacoustic variable, and the degree of sensitivity shown to it varies widely with people. Some individuals have a sense of remembered pitch, that is, a pitch once heard can be remembered and compared to others for some length of time; others have a sense of absolute pitch called PERFECT PITCH.

WAVELENGTH

For any PERIODIC wave the wavelength is the distance from a given point in the wave to the corresponding point in the next cycle of the wave, frequently represented by the Greek letter lambda. It may also be thought of as the distance the sound travels in one CYCLE or PERIOD.

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