FADERMASTERS
20 Questions with Shawn Cole
09 March 2010
Second up to bat in our series of, "20 Questions" is Shawn Cole, AKA Doctor Boss. Daniel Byrne met up with Shawn in his kitchen on January 29th, 2010, in order to extract all that makes the engineer that towers before us. 20 Questions with Shawn Cole : The Wall. The context. The moment. The civilians. Shawn: My name is...
FaderMaster Studios
HI-RES
WHO WE ARE
More studio owners and engineers under one roof. 
We believe in what we do as much as you believe in what you do.
It's simple and we love it, and we have a lot of machines that help us do it.
WHAT IT IS
It's a recording studio.
The Control room is where faders are pushed. The Live Room is where sounds are made.
The B-ROOM is where we could make our last stand against the zombie hordes.
Sit in the lounge, watch TV, surf the web.
Walk up the street to one of the million restaurants or cafes on Commercial Drive.
WHAT GOES ON
Anything and everything to do with sound.
It could be music, television, film or secret testing for the government.
All the FaderMasters want to make, capture or shape the sound you want.
WHAT YOU GET
What you came for. We make sure of it. We don't sleep, so the studio never sleeps....
This is why we've been lucky enough to have so many great artists, labels and people come through our doors since 2007.
Love and respect to everyone who's shaped their sounds with FaderMaster.

 
NEW MUSIC FROM THE STUDIO - MARCH 2010
Yukon Blonde : Yukon Blonde Artist: Yukon Blonde
Release: Yukon Blonde
Track: Loyal Man
Jordan Klassen : St. Brigid Artist: Jordan Klassen
Release: St. Brigid
Track: Written On Your Collarbone
Eeek! : Eeek!
Artist: Eeek!
Release: Eeek!
Track: Sassafrance
alt Artist: Cairo
Release: Cairo
Track: Cogs

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BEATS

If two TONEs are about 15 Hertz or less apart, INTERFERENCE will result from their similar though not exactly identical frequencies. Gradually they will move out of PHASE until at 180° destructive interference results, producing diminished loudness. When they move back into phase, constructive interference will produce increased loudness. Thus, beats are a form of AMPLITUDE MODULATION. As two frequencies are brought closer together, the beats will gradually slow down and disappear when they become identical.

ECHOLOCATION

The use of reflected SOUND WAVEs for obtaining environmental information. Certain animals, such as the bat and the porpoise, emit pulses of extremely high frequency sound (up to 50 kHz for bats, and up to 170 kHz for porpoises and whales) in narrow, intense streams. The REFLECTION, or ECHO, of these sounds supplies information regarding the nature and location of objects in the environment. When an emission of varying frequency is used, such as with bats, the echoes, travelling varying distances to the ear, are heard as different frequencies in each ear, thus supplying directional information.

PITCH

The subjective impression of FREQUENCY, in the same sense that LOUDNESS is the subjective sense of the INTENSITY or AMPLITUDE of a sound. As such, pitch is a psychoacoustic variable, and the degree of sensitivity shown to it varies widely with people. Some individuals have a sense of remembered pitch, that is, a pitch once heard can be remembered and compared to others for some length of time; others have a sense of absolute pitch called PERFECT PITCH.

FREQUENCY

The rate of repetition of the CYCLEs of a PERIODIC quantity, such as a SOUND WAVE. Thus, frequency is the inverse of the PERIOD. More generally, frequency can be thought of as the rate of change of PHASE.

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